Introduction

Saturday, October 31, 2020

Samhain adios

Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree

Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

TS Eliot, Little Gidding (excerpt), from Four Quartets



Friday, October 30, 2020

Percy Retires

 It struck me suddenly but absolutely and with finality that this blog will go the way of all things, November 1. It seems fitting that the whole theme of a trip through Hades, the descent into the Underworld, and the echoes of repeated loss, deprivation, bewilderment, and grief might now be well concluded. Not concluded in life, of course. We can only ask so much, yeah?  

Sunset view from Hotel Playa de Cortes in Guaymas, Sonora, 2015


The main features have drawn to a triumphant close: I am single and unavailable, the PhD is finished successfully, I am starting to publish, I transitioned out of the grad school life, I have a great job in a great school community that pays well, I live in a weird and interesting huge city, eye and prostate and mental health are just whatever they are. Brother-in-law and father and all the other dead or living dead can be left in the Underworld where they decided to go. Percy might stay down there, or he might come up and get over it. I'll leave that up to him. 

I also like the fact that this blog ends on a post a day for a whole month, the month of October, which seems the natural month of endings anyway. 

Finally, hardly anyone is reading this anymore. Not that this stopped good old Percy who became quite used to hollering into the emptiness since about March 2017. 

Anyway, those who were following, I am going to be writing anonymously  elsewhere, and if you are curious about that and want to follow along in the new space, email Percy at Plutonian1 at protonmail dot com. I look forward to the mad rush of people who just can't get enough of my blogging. The blog as a genre is fucking dead anyway. That won't stop me. Maybe if I keep at it long enough, the genre will come back, and I'll suddenly be bathed in fame and riches. 

To those who have read along since March 2017, deep gratitude. It's been important for me to have some sense of speaking a story through all of the weird peregrinations of this period of one of the worst bottoms of my life. 

A couple more posts, today, and tomorrow. Then into the Under or Other world with Percy. I'll have to find a way to say farewell to him as well. He was a boon companion. 


Soon this space will be too small

And I'll go outside
To the huge hillside
Where the wild winds blow
And the cold stars shine

I'll put my foot
On the living road
And be carried from here
To the heart of the world

I'll be strong as a ship
And wise as a whale
And I'll say the three words
That will save us all
And I'll say the three words
That will save us all

Soon this space will be too small
And I'll laugh so hard
That the walls cave in
Then I'll die three times
And be born again
In a little box
With a golden key
And a flying fish
Will set me free

Soon this space will be too small
All my veins and bones
Will be burned to dust
You can throw me into
A black iron pot
And my dust will tell
What my flesh would not
Soon this space will be too small
And I'll go oustide
And I'll go oustide
And I'll go oustide

Thursday, October 29, 2020

Living Road

At my sunny furnished oasis last year

It was two years ago, right around this time, that I submitted the first draft of the first chapter of my dissertation, clocking in at 75 pages, and truly an awful and unpublishable mess. Last January, from a quaint old motel room in Bishop, CA, during my endless wanderings, I submitted the paper to Ecology and Evolution. It was finally published today, and it's so weird to do that whole cycle from really rough draft to published journal article. It's a good feeling. Of course, I immediately read it and found five things I would change. But it's published, so, too late sucker. 


A second article is very close to being accepted and going to the proof stage. A third article out of the dissertation is next. The third hinges on formal acceptance of the second, due to nomenclatural changes that are included. 

Meanwhile, I've been thinking about this quotation all day, after finding it in Facebook memories:

" When you die, only three things will remain of you, since you will abandon all material things on the threshold of the Otherworld: what you have taught to others, what you have created with your hands, and how much love you have spread. So learn more and more in order to teach wise, long-lasting values. Work more and more to leave the world things of great beauty, And Love, love, love people around you for the light of love heals everything." French Druid Triad, Francois Bourillion 

As the Hunter's Full Moon approaches and the darkness of the end of daylight savings time (which, having been an Arizonan for the past 13 years, I had forgotten about) also approaches, I'm feeling mostly painfully introverted. Even just getting on Zoom to teach my classes has often felt like a Herculean labor this week. I find myself fantasizing about falling asleep and staying that way for years. I have been having the worst dreams, though, so...ay, there's the rub. Whatevs. The long fat stretch of October gives way to November and December, both of which are broken by time off. 

I'm yearning for the road again. 



 

Wednesday, October 28, 2020

The girls I knew had sad and sullen grey faces

 


The grand Andy Bey, 81 years old today. Billy Strayhorn's lyrics on such a high level:

I used to visit all the very gay places
Those come-what-may places
Where one relaxes on the axis
Of the wheel of life
To get the feel of life
From jazz and cocktails

The girls I knew had sad and sullen gray faces
With distingué traces
That used to be there
You could see where
They'd been washed away
By too many through the day
Twelve o'clock tales

Then you came along
With your siren song
To tempt me to madness
I thought for awhile
That your poignant smile
Was tinged with the sadness
Of a great love for me
Ah, yes, I was wrong
Again, I was wrong

Life is lonely again
And only last year everything seemed so sure
Now life is awful again
A troughful of hearts could only be a bore

A week in Paris will ease the bite of it
All I care is to smile in spite of it
I'll forget you I will
While yet you are still
Burning inside my brain

Romance is mush
Stifling those who strive
I'll live a lush life
In some small dive

And there I'll be
While I rot with the rest
Of those whose lives are lonely, too

***
Crazy good lyrics. Bey's delivery absolutely perfect. Of all of the recorded versions of this with vocals, Bey's is my favorite. 



Bey's in fine form on this Gary Bartz track also, combining cosmic consciousness with some funk and blues, while managing to avoid twee New Age slush. When he sings "talk to the heavenly bodies," he sings it with authority. 

October almost over. A full Moon on the way for Halloween. Hunter's Blue Moon. Make hay while the moon shines. The veil is thin. The Moon a big old memento mori in the cool October sky. 




Tuesday, October 27, 2020

A woman has to make a real effort not to dissolve into everything that needs her

 

Cacti planted on the grounds of Hotel Playa de Cortes, Guaymas, Sonora, MX


"In Recollections of My Life as a Woman, the poet Diane di Prima tells of a night at Allen Ginsberg’s place in New York. She’d gotten a friend to babysit her young daughter and headed over to Ginsberg’s apartment because Jack Kerouac and Philip Whalen were in town for “one of those nights with lots of important intense talk about writing you don’t remember later.”

Well, Diane had promised her babysitter that she’d be back at 11:30 that night, and 11:30 starts rolling around, so Diane bids her farewells. “Whereupon, Kerouac raised himself up on one elbow on the linoleum and announced in a stentorian voice: ‘DI PRIMA, UNLESS YOU FORGET ABOUT YOUR BABYSITTER, YOU’RE NEVER GOING TO BE A WRITER.’”

How do you like that?

Kerouac just props himself up with one arm and drunkenly slaps us with the great fear we all share. He embodies the archetype of the selfish, self-destructive male artist, and he announces that unless we, too, are willing to be irresponsible to our relationships, we’ll never quite measure up.

“I considered this carefully, then and later,” Di Prima writes, “and allowed that at least part of me thought he was right. But nevertheless I got up and went home.”

Three cheers for di Prima!

“I’d given my word to my friend,” she explains, “and I would keep it. Maybe I was never going to be a writer, but I had to risk it. That was the risk that was hidden (like a Chinese puzzle) inside the other risk of: can I be a single mom and be a poet?”

A serious question, that one. Serious not only for moms but for all of us. Can we be present in our relationships and still do the work we feel called to do? It’s like my friend Lynn says: “A woman has to make a real effort not to dissolve into everything that needs her.” Our relationships need us, but we don’t want to dissolve. We refuse to dissolve, but we choose also to be responsible to our relationships. We’re tired of the drunk guy on the linoleum telling us we can’t do both. Women have always done both.

Looking back, di Prima recognizes what is true: Had she opted to stay that night, “there would be no poems. That is, the person who would have left a friend hanging who had done her a favor, also wouldn’t have stuck through thick and thin to the business of making poems. It is the same discipline throughout.”

The same discipline.

And discipline, like motherhood, is good for the soul. Poetry is good for the soul. Responsibility to all our dysfunctional relationships is good for the soul. The archetype of the selfish male artist tells us that we can’t manage all these things at once, that we can’t be simultaneously responsible to children, babysitters, self, and art, that we have to sacrifice, to abandon – but we know that’s a lie.

As I write this, Kerouac has been in his grave for nearly forty years. Diane di Prima is down in San Francisco, mother of five children, author of thirty-five books of poetry and several memoirs, powerhouse, and twenty-first-century radical. (Editor's note: not as of a couple of days ago, may she rest in peace). 

We don’t need children to be happy, but motherhood has taught me this: to experience joy, we have to be able to honestly experience darkness, too. In responsibility to relationship, we build bodies of memory and life experience that we can be proud of. Motherhood has taught me that the opposite of happiness isn’t struggle. It isn’t even depression. The opposite of happiness is fear and obedience.

In Revolutionary Letters, di Prima writes, “Be strong. We have the right to make the universe we dream. No need to fear ‘science’ groveling apology for things as they are, ALL POWER TO JOY, which will remake the world.”

Three cheers for di Prima, for motherhood, for the courage to make the universe we dream."

- Ariel Gore, Bluebird: Women and the New Psychology of Happiness

"The opposite of happiness is fear and obedience." 

The bothness of what has always been asked of women and rarely been asked of men is truly remarkable. Something weirdly flashed into my mind when I was reading this, which was the plot line of It's a Wonderful Life, where the tension between George Bailey's dreams and his obligations is portrayed as a great recurring tragedy in his life. Yes, the big payoff at the end is the message that, in fact, his ordinary life is "wonderful." But it seems we could use many more stories of women making these incredibly tough decisions, however they choose to make them. 

The patriarchy guarantees that every decision a woman makes is a mistake. That's part of the goalpost moving that enforces male privilege. Having children is a mistake, not having them is a mistake, being a writer is a mistake, not being a writer is a mistake. There are larger ways in which capitalism in general thrives on this FOMO toxicity, of course. But women, in particular, bear the brunt. I have many women friends whose decisions I have not understood. It's not important. Women need to be 100% supported in their choices. That in itself is a radical act. This is also of course what reproductive justice comes down to. The freedom to have children, or to not have children, entirely self-determined. This is why the so called pro life movement is simply anti-woman. It is a ruse the entire motive for which is the oppression of women and the reinforcement of the patriarchy. 

I have been contemplating often lately how men can put skin in the game more, as accomplices for reproductive justice. One step in the right direction is to support the decisions of women without equivocation. Sure, sometimes, everyone faces some kind of once and for all, either or dilemma. This is a natural part of life. But not along the necessary and absolute lines of Kerouac on the linoleum. Of course, he gave himself the luxury of "forgetting about the babysitter," the prerogative of men throughout time. (The flip side of which is the incredibly aggravating turn of phrase people say when men are spending time with their children: "babysitting.")

The bizarre trivializations that result from privilege can be infuriating. I saw a guy on Facebook say "I would support abortion more but I worry that it makes me look sleazy and like I am merely trying to avoid using condoms." What? I mean to say, again, what? This question of bodily autonomy, of life or death self determination for women, reduced to a man's narcissistic concern that he'll look bad, or seem to be only wanting to avoid condom use. So fucking weird. Like, who thinks that? Obviously someone who has never had to face having his body completely controlled by the state. 

The old Atwoodian formulation comes to mind: men are afraid women will laugh at them, women are afraid men will kill them. 


Monday, October 26, 2020

Kind and Generous

 Natalie Merchant's 57th birthday today. I always dug her voice, and this song. 

Monday. August 14th, 2017



I stumbled on some searing memories last night while hunting through a huge folder of cell phone camera pics stretching from April 2017 through February 2018 (after which I lost the camera in the wilds near Alamos, Sonora). It was helpful to encounter what was reality for a time, because it reminded me of Marsha Linehan's radical validation phrase: you feel this way because it IS this way. Yes, these things happened, they were true for you, you meant every word you said, you felt everything you thought you felt, you wanted what you wanted. I had been interrogating myself along gaslighting lines recently (what is wrong with you? why can't you just be normal, forget it, move on. Forget it, Peter, it's Chinatown. Just get over it, etc.) Remembering the plain reality is salutary, because it puts in perspective my continuing experience. It happened, it was real, it was profoundly important, and, instead of being exasperated by my process, it helps the process make sense. It is not me being stuck, but actually fucking honoring an amazing and unforgettable experience. 

We are in such a hurry these days. I get it, since it's not ideal to be wearing a flaming shirt. 

“The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre or pyre-
To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.”
(TS Eliot, Little Gidding, Four Quartets)

That people are able to make space for an experience of the flaming shirt, as transient as that is sometimes, and honor the truth of it going forward, is something close to a miracle.  

It's windy and in the low 50's outside, clear blue skies and fresh air. If the wind doesn't kick up more fires, the crystalline clarity of autumn in LA will continue. I vaguely wondered this morning if I should fire up the wall heater, Phoenix boy that I have been. Instead, I put a sweatshirt on. Many of my friends around the country have either had snow or are supposed to get snow this week. Time turns. 

Sunday, October 25, 2020

Diane Di Prima, August 6, 1934–October 25, 2020

 Diane Di Prima, August 6, 1934 - October 25, 2020

First Snow, Kerhonkson

BY DIANE DI PRIMA

for Alan

This, then, is the gift the world has given me

(you have given me)

softly the snow

cupped in hollows

lying on the surface of the pond

matching my long white candles

which stand at the window

which will burn at dusk while the snow

fills up our valley

this hollow

no friend will wander down

no one arriving brown from Mexico

from the sunfields of California, bearing pot

they are scattered now, dead or silent

or blasted to madness

by the howling brightness of our once common vision

and this gift of yours—

white silence filling the contours of my life.





Working Weekend

 Making the most of a working weekend, doing minor edits as suggested by the editor in chief at the journal Taxon, for the second paper to come out of the diss. This one will cause a ton of consternation in the cactus world, and I wonder to what degree our proposed taxonomic changes will be adopted in general. It is likely that our paper will be one of those where the rationale is solid, the results suggest a major change in a popular genus, but the general public and even many scientist botanists will just ignore the new arrangement. That's fine by me, honestly. As a mentor of mine joked once, "Do you know why plant taxonomy causes so many feuds, hard feelings, and bitter rivalries? Because the stakes are so low."

The phylogenetic tree appearing soon in Taxon. Those of you who know how to read these can see the clades and the necessary changes. 

The day yesterday was only in small part aimed at addressing the editor's suggestions. The rest of the day was spent trying to work my way through the data submission portal at the NCBI's GenBank SRA upload site. I understand why uploads need quality control and a ton of identifying and meta data, but I'll never understand why the help resources are so shitty for these sites. Just take like an extra 5 minutes and post samples of exactly what the fuck the portal needs. Easy. But no, I guess because fucking scientists with zero communication skills set these things up, it takes forever to figure out how to format everything so that the actual upload can proceed. It's cool that all science publishing these days requires the data one used to be deposited in a public online repository. I'm in favor of that, big time. But they sure do not make it easy or even intuitive. Meanwhile, having launched the actual file upload last night at 9, it is still running this morning at almost 9. 
Peak Sunday morning excitement

Today's work involves getting started on narrative comments that I have to write for my students. These are due a week from tomorrow and involve about two or three paragraphs per student, based on the basic categories of: positive, stretch, concrete goal. I recall writing narratives for students at Wildwood Secondary, where I taught also here in LA. The idea behind these narrative comments is that they provide legitimate, personalized assessment for each student. It's been odd trying to get to know the students during remote learning. Some, of course, stand out for either glaringly positive or negative reasons. But I feel like about half are just not very "visible," really, in this distance learning arena. I am going to set up meetings with all of my mystery students this week, and that means writing the comments for the ones I know better, this weekend. 

Meanwhile, meditation and work out and darkness, later today. Food and sleep now. Heavy longing to be out in the wilderness. A range of strong yearnings, of all different kinds, all futile. 

Moonrise, BahĂ­a de Los Angeles, BCN






Thursday, October 22, 2020

Wealth and Beauty

Aeonium "Schwartzkopf" at The Huntington Library and Gardens

One of the places I have loved to visit, when I have visited LA, is The Huntington Library and Gardens.  It recently started a phased in re-opening, with advance ticket sales, only allowing a certain number of people. However, the greenhouse and library are not open yet, so I'm waiting a while. After the pandemic, I'm definitely going to be a member. It's one of these examples of a positive cultural legacy resulting from obscene wealth. For example, Huntington's way of collecting specimens for his extensive desert garden was to hire his very own personal train staffed with Mexican laborers, who would ride the train through Mexico and collect specimens and then deliver them to Huntington at a rail station somewhere near LA. 

Aeonium sp. 

A First Folio copy of Midsummer Night's Dream

Isaac Newton's personal copy of The Principia



Cleistocactus winteri

Newton's copy of his own description of his invention, the Newtonian reflector telescope

A bench full of awesome Conophytum, a genus in the Aizoaceae



The view back to Santa Monica from the end of the Santa Monica Pier

 
The Ferris wheel on the pier

Big contrast: A pic of Killington, Vermont, last October

Walk in beauty. 

I'm mostly sitting around these days, preparing to teach, teaching, or grading. Or answering emails. On and on. Working remotely is more demanding in some ways than being an in person teacher. It's been surreal. I have only ever seen most of my colleagues and students via Zoom. I've also been trying to refrain from spending money for a while so I can blast away all of the debt I incurred exiting the PhD program. It's okay to be hunkered down and a teaching hermit, but my heart is really longing for those long late autumn/winter dark camping nights. May many such be in my future. I loved spending more time in wintry places last winter and might seek out the same. 

Meanwhile, I'm also biding time for the reopening of Los Angeles. It's already good to be here, but being able to go to The Getty, or to shows, or to galleries, or to some of the incredible movie theaters here, or to gardens, will be grand. Let alone actually seeing people or socializing. It's been weird being here with everything sort of shut down.